In 1959, Priscilla created a fabric collage, 9th Avenue, of the tenement building she saw as she entered Manhattan on the bus. Instead of painting this cityscape, she combined fabrics, found objects and thread to create a complex composition of geometric forms and patterns. I wonder if she realized what an innovative gesture that work was for its time? Threads of her Pennsylvania childhood seem to come to the surface merging with her embrace of the city, the innovative methods of Lowenfeld, and her experiences as a painter. After this pivotal point in her development as an artist, nothing is the same again.